This month was heavy on the music. And the music itself was heavy.
Enslaved, E (Nuclear Blast)
Enslaved’s brand of progressive black metal has always intrigued me. They have such a wide, diverse catalogue, as they ought to fourteen albums into their career. I first started listening to them right before 2012’s acclaimed RIITIIR released, and I had no idea where to start. I dived into a few albums that spanned the years 2003 to 2012 and caught them live while on tour for their previous album In Times. Now, with the release of E, I find myself much more familiarized with Enslaved’s penchant for experimentation while still maintaining their distinct style and sound. So can I say with certainty that this is one of their finest albums to date. The album’s six tracks are laden with atmosphere, particularly the opener “Storm Son”, kicking off with floaty, melodic guitars and keyboards that you wouldn’t normally expect from a black metal record (unless you’re familiar with the likes of Ghost Bath or Deafheaven). There’s no shortage or riffage either, especially on “Sacred Horse” and “The River’s Mouth”. If you were looking to give Enslaved a try, this album is as good a time as ever to give ’em a shot.
Ne Obliviscaris, Urn (Season of Mist)
I must admit that while I enjoyed Ne Obliviscaris’s first two studio albums, I haven’t gone back to them all that much. However, with the band’s third album, I found myself ready to dive back in as soon as the record was over. The band sound as tight as ever with playing that is both technical and well-crafted. Tim Charles’ violin is still an integral part of the band’s sound, weaving melodic passages amidst the chugging guitars. “Libera (Part I) – Saturnine Spheres” and “Libera (Part II) – Ascent of Burning Moths)” make for one hell of an intro to the album, offering up an impressive slice of what more is to come on Urn. If you’ve never heard Ne Obliviscaris before, those two tracks will tell you all you need to know. The album’s centerpiece is the nearly twelve minute “Eyrie”, though it somehow feels far shorter than that. Speaking of length, the album is the shortest the band has released thus far, clocking in at 46 minutes whereas Portal of I and Citadel clocked in at 72 minutes and 48 minutes respectively. Prog metal songs tend to get overlong; it’s just the nature of the genre. But Ne Obliviscaris deliver a tight package that goes just long enough and leaves room for you to give it another go.
Trivium, The Sin and the Sentence (Roadrunner)
It’s been a while since I’ve loved a Trivium album. Shogun came out nearly ten years ago and is not only my favorite in their discography, but it’s one of my personal favorites of all time. Nothing they’ve release since then has really had as much of an impact on me. That’s not to say it’s all been bad or anything: In Waves is heavy as hell with some great cuts and I appreciated the experimentation of Silence in the Snow. Vengeance Falls had one or two good tracks, but it doesn’t rank high up there for me. Now we have The Sin and the Sentence, and I know everyone else had been saying it, but this is the best they’ve done since Shogun.
In my experience, Trivium albums tend to follow this pattern: 11-12 tracks, a really solid first half, a few tracks in the latter half that are somewhat lesser, and then a strong finale. The Sin and the Sentence pretty much follows this patter to a T, and that’s a good thing. The first five tracks are rock solid, offering up all the virtuosic instrumentation, big catchy choruses, and primal screams from Matt Heafy that you’d expect. What’s more, each track feels different from the pummeling opening of the title track to the sing-along passages of “The Heart from Your Hate.” It’s easy to pick up the lyrics, which act as the glue to stick the song in your brain, not letting go until you go listen to the album again.
Archspire, Relentless Mutilation (Season of Mist)
Sometimes the only thing faster than technical death metal is the rate at which it becomes boring. So many bands try to be the fastest or the most brutal and as a result you end up with music you feel like you’ve heard one too many times before. But every now and again you get a band like Archspire who put out an album that makes you go “Fuck, that’s brutal.” Relentless Mutilation is the band’s third album and it’s a fast, mean piece of work. One area of the band’s music I wasn’t expecting anything from was the vocals because, let’s face it, these days it feels like you can get any old growler or screamer to front your band. But man, Oli Peters sounds like the death metal Seji Tankian. He’s not here to let the instrumentalists have all the fun; he’s also here to throw down, and throw down he does. What’s more, over the course of the album’s crisp 30 minute runtime, I found that the songs actually sounded distinct from one another. Look, I’m really not trying to be that guy that says “all metal songs sound the same”, but my god I need at least a pinch of variety sometimes. So, thank you Archspire for giving me a reason to appreciate TDM again.
Blade Runner 2049
In the age of endless remakes, revivals, overdue and unwanted sequels, the old irrelevant question still rings: “Is it as good as the original?” But if I had to answer that question regarding Blade Runner 2049, I’d say “Yes, and then some.” I loved Philip K. Dick’s Do Andriods Dream of Electric Sheep? but I think it affected my viewing of Blade Runner, the film upon which it is based. Don’t get me wrong I definitely like it; the sets, effects, music, and atmosphere are all top notch and still hold up very well today. But there were a lot of intriguing things found in the book that the film omitted. Plus, when you put off seeing a movie so revered for so long, I think there’s always a chance you’re going to be at least a little disappointed that it’s not the greatest film ever made, however silly that may sound. Fast forward to the Denis Villeneuve (Arrival, Sicario) sequel however and I’ll tell you that this is how I wanted to feel watching Blade Runner. That may sound sacrilege but…meh.
2049 does itself a great service by not relying too heavily on its predecessor. An opening crawl tells you the basics of Blade Runner‘s world and what’s happened in the thirty years since the original. It more or less keeps you informed if you haven’t seen the first film too. Yes, Harrison Ford reprises his role as Deckard, but it’s a pretty small role compared to the screen time of other characters. Seeing the first film is recommended of course, but if you do go into this film blind, Deckard’s part of the story is really the only time you may be a bit lost. Really, if you’re going to show up for anyone, show up for Ryan Gosling because he’s brilliant in this. Everyone in this film does a great job, from Jared Leto’s suitably creepy turn as the head of the Wallace Corporation to Ana de Armas, a holographic wife for Gosling’s character.
The film’s plot is consists of Gosling’s character Office K slowly unravelling a big mystery. And I do mean slowly. If there’s anything that will turn someone off this movie, it will be the 2 hour and 43 minute runtime. It’s not a fast paced film and it takes its time letting things unfold. This is less of a film focused on plot and more about enveloping you in its world, much like the first. Speaking of the first film, 2049 definitely looks and feels like its predecessor, and theres something so enjoyable about seeing things like vehicles or buildings from the first film depicted with modern cinematography, kind of like watching the new Star Wars films. This film has lingered in my head since I saw it and I’m eager to see it again (even though I’ll probably be watching it by myself).
I recently came to the realization that if I continue to hold off on watching a movie because I haven’t read the book first, I’m going to miss out on a lot of movies because I read damn slow. So I watched Gerald’s Game, a Netflix film based on the Stephen King novel, and I liked it even more It. It’s a basic sounding premise: a couple goes on holiday to a lake house to try and spice up their sex life which, of course, involves handcuffing the woman to the bed. Unfortunately, her husband drops dead of a heart attack, leaving her cuffed to the bed with no one around. What follows is the woman’s mind slowly unravelling, unearthing memories and thoughts long repressed, seeing frightening things that may or may not be real. It’s fantastic psychological horror and the fact that its kept to such a small scale makes it even better. Carla Guigino deserves a lot of credit for delivering a performance mostly spent in a nightie and handcuffs, and Bruce Greenwood is eerily hilarious. I don’t know how many other Stephen King adaptations Netflix is planning to churn out, but if this is the kind of stuff they’re delivering I say give us more.
Last year, my wife and I made a Halloween watchlist for October and we continued that tradition this year. Films in bold are first time viewings for me.
Because there hasn’t been enough Stephen King in my life already.
An American Werewolf in London
A weird film, but a good weird.
The Conjuring 2
Still one of the best horror movies.
I tried to watch for the “eye glint” that supposedly tells you who is/isn’t “the thing”, but I didn’t see it.
Shaun of the Dead
Finally got the wife to watch this one.
I haven’t watch this since it came out over nine years ago. Still good.
It by Stephen King
For little over three months I chipped away at Stephen King’s 1,100 page horror behemoth. Somewhere in the middle I went to see the newest adaptation that is now one of the highest-grossing horror films of all-time. Now, my journey through Derry, Maine has come to a close…until the the film sequel eventually comes out. When it does come thought, it’s going to have a lot to live up to, so much so that I’m not completely sure how they’re gonna do it. But hey, I’m here to talk about the book, which is either one of Stephen King’s finest or a bloated slog depending on who you ask. Of course, I find myself in the former category.
First thing: the length. While I was reading this book, I thought of another long hefty sized book: Les Misérables. Much like in Victor Hugo’s brick-sized masterpiece, It has a large cast of characters both major and minor with backgrounds and histories that are explored in great depth. If you’ve read King before, you’re familiar with this aspect of his books. Also like Les Mis, some of those stories and histories appear to have little to no bearing on the main plot. Now, when it comes to the actual act of writing, I’m all for brevity, but I wasn’t bothered by the sheer amount of time devoted to fleshing out the two of Derry. I think I owe that to all the fantasy I read, where world building and fleshing out seemingly irrelevant persons or histories is par for course.
Next thing: the scare factor. Creep-up-your-spine atmosphere is what I’m coming in for when it comes to horror stories/novels. Let me tell you that there were three or four points in the book where I got those goosebumps and said “Oh, no” out loud. One of those times wasn’t even about Pennywise/It. It was actually about one of the childhood bullies who is, uh, incredibly fucked up for lack of an elegant term. That’s the thing that people seem to get wrong about this book, including the film: it’s not all about the creepy killer clowns. That is not the scary apart (I mean, unless you really are pants-shittingly scared of clowns, and I’m sure people are). The horror is found in being a child and not having grownups take you seriously. The horror is found in being an adult and finding that you’re no longer in your prime. The horror is forgetting. Forgetting everything.
The Alloy of Law by Brandon Sanderson
This time last year and the year before I was finishing up reading on of the tomes from Sanderson’s brilliant Stormlight Archive series. The third book is out this month, but I’ve decided to hold off on that for now and instead return to the Mistborn series that got me and many others started on Sanderson in the first place. It’s a much shorter novel than either It or the two Stormlight books, and I’m nearly halfway through already.
Sons of Anarchy Season 5
Two more episodes left.
Stranger Things Season 2
Well, technically I finished watching it two weeks ago but I thought I’d include it here anyway.
Outlander Season 2
I gave up on trying to read the books for this series as well. Which I think is good, because I think I enjoy the show more anyway.
Darkest Dungeon (PC, Mac)
My god, this game saps up so much of my time.
Alien: Isolation (Xbox One)
I have never been so frightened while playing a video game in my whole life and it’s great.