Category Archives: The Good Bits

The Good Bits: May 2017

I didn’t get to see all the movies I wanted to in May, but what I did see was pretty great.

 

Music:

Artificial Language, The Observer (Self-Released)

artificial language

Artificial Language’s The Observer is, simply put, one of the best debut albums I’ve had the pleasure of hearing. I’m always on the hunt for newer bands pushing out new material on platforms like Bandcamp and self-releasing their own material, and Artificial Language is another delightful discovery in the field of unsigned prog rock/metal. The band’s sound can be compared to that of Between the Buried and Me or Leprous, but it certainly isn’t playing copycat. The piano/keyboard work of Jonathon Simpson forms the backbone for the band’s sound, either propelling the music forward or lulling around in beautiful interludes on each song. That’s not to say the rest of the band are slouches; the technical ability of the band is evident but not overstated with guitar and drum flourishes that flow together all the way through the album from the more straightforward tracks like “These Aren’t Mirages” to the eight minute finale “Turn Off the Pictures”. Vocalist Shay Lewis’ performance stands out in particular with a powerful and captivating voice that ties the whole package together. Cohesive and clean are the two words I would use to primarily describe this album overall. If you’re at all a prog fan, get on these guys. And even if you’re not, give them a try anyway.

 

Film:

Alien: Covenant

AlienCovenant

I’m a relative latecomer to the Alien franchise. I saw Aliens so long ago that I don’t remember much other than I liked it. But last year I watched the very first entry Alien, which made me slap my hand to my forehead and wonder why the hell I’d put these movies off for so long. I even enjoyed the polarizing Prometheus which, while not a perfect movie by any means, offered an enjoyable sci-fi aesthetic and allusions to mythology. So far, Alien: Covenant appears to be as divisive as its predecessor, and a lot of that has to do with the film’s goal of explaining the origins of the Xenomorph, the titular Alien. Fans and reviewers have deemed this part of the story unnecessary or that it takes away from the Alien being terrifying (though I think Alien Vs. Predator had already done that). While I understand this sentiment and why it would impact someone’s enjoyment of Covenant, I had a great time watching this film.

I’ll say right off the bat that Covenant isn’t really full of surprises. If you’ve seen any other Alien film (or any horror film for that matter) you’ll be waiting for the film to hit certain notes and beats as it moves along. That doesn’t make the film bad, mind you. In fact, I feel like the film’s familiarity plays into its favor as it is essentially marrying the horror and action of the earlier films to the story and themes of Prometheus. You get Michael Fassbender waxing philosophic and being generally creepy like in the previous film, and then you watch Xenomorphs bursting out of people and ripping them apart, just like old times. It all cumulates with a two-part showdown against the Xenomorph, including a thrilling action sequence as the crew attempts to escape the planet.

Speaking of Fassbender, he’s as captivating as ever while playing two different androids: David (from Prometheus) and Walter (a crew member of the Covenant). Scenes with these characters together are certainly the acting highlight of the film. Katherine Waterson does a solid job continuing the series’ tradition of a strong female lead, especially during the action-packed climax. The pleasant surprise here is Danny McBride as the pilot of the Covenant with a comedian-doing-dramatic acting turn that feels so natural that I’ll be hoping to see him in the next installment. And I am looking forward to another installment, which looks to be getting started soon. I got the sci-fi horror/action that I wanted from Alien: Covenant, and I couldn’t be more pleased.

 

King Arthur: Legend of the Sword 

King Arthur

King Arthur: Legend of the Sword has more in common with A Knight’s Tale than it does with the Arthurian legend. Whether or not this is a bad thing is going to depend on how much you care about the source material being messed with. For my part, I enjoyed the film for what it is: a stylish romp spearheaded (swordheaded?) by the ever charismatic Charlie Hunnum that might not get the sequel it was clearly planning for, but at least makes for a fun fantasy action film.

As I said, the film plays it fast and loose with its source material, but at this point there’s been so many different iterations of the legends that I’m not sure how valid of a complaint it is anymore. Sure, some things left me scratching my head a bit (why am I hearing about a character named Mordred already?) but when you realize that director Guy Ritchie is essentially taking his approach to Sherlock Holmes and applying it to King Arthur things fall into place. Nowhere is this more evident than in the character of Arthur himself, a street-smart incredibly ripped man who unwittingly reveals his birthright when he happens upon Excalibur (which doubles as the Sword in the Stone in this version). He feels like a modern man who is flawed, reluctant to take the throne, and full of grit rather than a kingly resplendence. So, a bit like Jax Teller from Sons of Anarchy. There isn’t even a Guinevere for him to mack on (yet) or a Merlin to teach him wisdom, and it makes for an interesting change rather than see the same old progression. Jude Law also has a good turn as Vortigern, a villain who does shitty things to win and get his people to love him, never stopping to think that he should just try to not do shitty things. The rest of the cast features familiar faces and makes for a fun collective. The female lead only known as the Mage (Àstrid Bergès-Frisbey) adds an intriguing level of magic to the world and it’s fun to watch her interact with Arthur and not take any of his shit.

The action is pretty solid throughout, fast in pace, and full of stylish visuals, especially when Arthur wields Excalibur, which almost turns into a video game Matrix-like sequence. The only real misfire is the final battle, which is lacking in contrast and suffers from some muddy visuals that make it difficult to tell exactly what’s going on. So yeah, you’re not going to get your shiny, dramatically told retelling of Arthur in this film and that’s going to rub some people the wrong way. But if you accept that early on, you can expect a fun time.

 

Books:

Lirael by Garth Nix

Lirael

The second book in The Old Kingdom series was described to me as mainly consisting of exposition and build-up with all the action being saved for the third book, Abhorsen. So basically I was being warned that it might be boring. And yet, I didn’t find that to be the case. While Lirael isn’t a complete tale full of forward action like its predecessor Sabriel, the enjoyment comes from spending time with fleshed out characters walking about in the expanded world of the Old Kingdom.

The story takes place fifteen to twenty years after the first book and focuses on two new protagonists: Lirael, a shy young girl, and Sameth, son of Sabirel, hero of the first book. Nix takes his time in helping the reader get to know these two characters, a different pace from Sabirel. Whereas Sabriel was a fairly competent protagonist with only a little background at the start of her book, Lirael and Sameth take a bit more time to grow and learn. While this means that things are slow to start, it all becomes worth it when you watch plots begin to unfold and find out that you correctly predicted a twist just pages before its reveal. And because most of this book was build-up, that means the next book is going to deliver some satisfying downward action.

 

Currently Reading:

Abhorsen by Garth Nix

Abhorsen

I had originally planned to read something short in between Lirael and Abhorsen, but considering the book takes place like five minutes after its predecessor, it seemed better to keep the train rolling.

 

Currently Watching:

Daredevil Season 2

Well, technically I’ve finished watching this but it was mine and my fiancée’s show of choice on our mornings off. First season had a little more polish to it, but the addition of the Punisher and Elektra were more than enough to deliver a satisfying second season.

 

American Gods

The only bad thing about this show is that all the people I’ve told to go watch it can’t because they don’t have Starz. If you have Starz and you need a new show, watch it.

 

Currently Gaming:

Middle-Earth: Shadow of Mordor (Xbox One)

I have too many games to play, so this one is near the top of my list for trying to complete first. Luckily, it’s an amazing game.

 

Mass Effect: Andromeda (Xbox One)

It’s impressive how I can sink three hours into this game just on one planet alone. The only thing that soured my experience was a glitch or two.

 

The Legend of Zelda: Breath of the Wild (Wii U)

This is one game I am in no rush to beat. Getting lost in this world is such a joy.

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The Good Bits: April 2017

Woo, boy. April was packed, particularly on the musical front.

Music:

Ghost Bath, Starmourner(Nuclear Blast)

ghost bath

You may recall that on my Top 10 Albums of 2015 Redux post I reiterated how much I loved Ghost Bath’s sophomore full length Moonlover. It’s not only my favorite album from that year, but it’s become one of my favorite albums of all time. Since then the band has had a growth spurt in popularity that includes touring the world and re-releasing Moonlover on a major label. Now the band’s follow-up Starmourner has to contend with the success of its much loved predecessor. Does it stack up? Short answer: Yes.

Ghost Bath’s music typically revolves around depressive melancholic themes, and while Starmourner still retains some of those themes, the over concept and sound of the album feels a bit…lighter? It’s focused more on astral themes rather than straight up misery and lots of the songs are in major key. That’s not to say that the album isn’t heavy; “Ambrosial” and “Thrones” are probably the two heaviest songs on the album featuring the familiar blackgaze riffage and soundscapes the band is known for. In fact, this is probably the most riff focused the band has sounded yet, which I’m a bit mixed on. Some riffs on songs like “Thrones” are driving and vicious before diving into broad melodic passages, but others “Luminescence” didn’t keep me quite as captivated.

This doesn’t prevent the album from still being great, however. In fact, I applaud the band for writing an album that sounds different from their first two while still retaining their signature sound. Starmourner may also be a good place to start for newcomers or for people who’ve tried to listen to Ghost Bath but couldn’t get past the shrieking vocals (which I felt took more of a backseat on this album). As far as follow-ups to masterpieces go, Ghost Bath have done an admirable job of both continuing and evolving their sound on their third album, seamlessly weaving heavy riffs and emotional textures together for another stellar record.

 

He Is Legend, few (Spinefarm)

he is legend

I’m a latecomer to He Is Legend. I haven’t really listened to their earlier material and came on board sometime after the band reunited and produced 2014’s Heavy Fruit, an album I enjoyed for a few spins and then didn’t really think about it again until I saw that the band had put out a new album. So I shrugged and threw on few for a listen and came away having a pretty good time. The album sounds like a deceptively straightforward hard rock album, which it is in some ways, but the well-crafted songs add a layer of depth your average active rock radio single doesn’t have. Meaty riffs paired with standout vocals from Schuylar Croom create catchy numbers like “Air Raid”, but the band takes a detour here and there like on the goofy, blusey fun of “Fritz the Dog”. This is probably the most accessible album I’ve listened to in a while that isn’t instrumental.

 

Persefone, Aathma (ViciSolum)

persefone

I slept on this one for a bit. It popped up on my radar right before its initial release (February) and I didn’t get around to it until earlier in April. But woo boy am I glad I finally checked it out. I’ve said before that some newer prog metal albums get a bit too technical and end up boring me as a result. That’s not the case with Persefone and their fifth album Aathma, which is the finest prog metal album I’ve heard so far this year. From the get-go you know that Persefone are virtuosic players, but they thankfully put composition before everything else, choosing to use their chops as a garnish rather than the main course. The album moves seamlessly from one track to the next with graceful piano interludes before spiraling into death metal madness.

It’s hard not to think of prog metal legends like Dream Theater and Cynic when listening to this album, but I’m not saying that Persefone are derivative by any means. Rather, they evoke the same feelings I have for those aforementioned bands and their great musical works. They stack up to those bands and stand a head above other bands that are just trying too hard to sound deep and complex. I’ll definitely have to check out more of Persefone’s earlier material once I’m done wearing out Aathma.

 

Astralia, Solstice (Aloud Music)

astralia

Last summer I discovered Astralia and gave them a write up, heralding them as my musical savior when it comes to instrumental post rock that helps me focus when writing. That album, Atlas, was two years old at the time, and I wondered if they’d put out anything new in the near future. And they did. Solstice is the band’s third release and it’s just as good as its predecessors. The songs are a bit longer this time around typically ranging from 8 1/2 to 9 minutes, but you’ll be so enraptured by the band’s soothing and emotional soundscapes that the album will be over before you know it. The opener “Exhale” is an excellent summation of all that you would expect from Astralia, so if you didn’t check them out the last time I wrote about them, now is as good a time as any.

 

Film:

Split

split

If you’ve been following me for the past few months, you’ll know I haven’t watched many M. Night Shyamalan films and that I only just watched The Sixth Sense last October. Admittedly, part of this has to do with Shyamalan’s preceding reputation for dumb plots built around hokey twists. And yet, Split makes for an effective thriller with one hell of a performance by James McAvoy and an equally impressive lead with Anya Taylor-Joy (who also starred in The Witch).

While the hook of having a villain with Dissociative Identity Disorder might be considered dumb or even offensive to some, I thought the film handled it more intelligently than expected. Kevin’s (McAvoy) psychologist stresses that he’s far beyond a textbook case of DID, viewing him as the key to unlocking the potential in all humans. If anything, despite doing some pretty terrible and creepy things, Kevin is almost made out to be more of a supervillain or antihero or at least a mutant (wink wink, nudge nudge). I don’t claim to be an expert on metal disability, let alone DID, but as far as stigmatization goes, Split isn’t the worst I’ve seen. If you go in understanding that this depiction of metal illness is more or less science fiction, then you’re fine. I won’t say much more, though the Internet has probably spoiled things for you by now, but if you’ve been on the fence about this one, I’d say go for it.

 

Books:

Sabriel by Garth Nix

Sabriel_Book_Cover

When I last wrote about Sabriel in my “Currently Reading” blurb, I mentioned that, at halfway through the book, I felt I’d only scratched the surface of the world of The Old Kingdom. After finishing the book, I still feel that way, but not in a negative sense. In fact, one of my favorite things about Sabriel is that I felt like there’s a whole world to explore with many things happening in it, but my experience was contained to one story that wasn’t interested in big info dumps or tedious world building. Nix simply introduces Sabriel and you follow her on a journey both mysterious and magical, and yet it sometimes reads like magical realism rather than straight-up fantasy. It’s refreshing and, although it’s the first in a trilogy, it tells a satisfying and complete story.

I went into the book without any real introduction (there’s no summational blurb inside or outside the book), but I think that was the right way to go, so I’m hesitant to say too much about the book lest any of you decide to read it. Basically, Sabriel is a teenaged girl who must venture into The Old Kingdom where magic is prevalent, but none more so than necromancy. But this isn’t simply a “raise a corpse and make some zombies” kind of necromancy. Death is very, very different in The Old Kingdom and reading about it is melancholic, chilling, but beautiful too.

There’s a few oddities in word choice and sometimes the focus on description gets a bit Tolkien-esque, but if you’re hankering for a fantasy book that doesn’t feel like a giant undertaking, I’d highly recommend Sabriel. You can potentially enjoy it as a standalone, but you’ll want dive back in after experiencing Nix’s fascinating world.

 

Cosmicomics by Italo Calvino

cosmicomics

A co-worker lent me this funny little book after I let her borrow Do Androids Dream of Electric Sheep?. It’s a collection of short stories based on scientific theory with characters that are anthropomophisized mathematical formulae. If that sounds like it’s too over your head, it’s not as complicated as it sounds. For example, the first story, narrated by a being known as Qfwfq, talks about how “people” used to climb up to the moon and hang out on it before it started moving farther away from Earth. It’s all very whimsical and told in a stream of consciousness style that is sometimes hard to read, but many of the stories are genuinely funny. In my favorite, titled The Light-Years, a “person” spots a galaxy with a sign that reads “I SAW YOU”, and so he makes his own sign in reply knowing it’ll take 100 million years until the other “person” sees it. I laughed out loud during this and a few other stories, and any book that can get me to do that deserves recognition.

 

Currently Reading:

Lirael by Garth Nix

Lirael

After a brief detour with Cosmicomics, I went right to the next book in the Abhorsen trilogy. The story takes place fourteen years after Sabriel and is centered on a new protagonist. It’s about 200 pages longer than its predecessor, but when I actually found a stretch of time to read I breezed through the first 100 pages. We’ll see if I have this done by next month.

 

Currently Watching:

American Gods

If you haven’t read it, read it. If you don’t want to, watch the show anyway. It’s only one episode in, but damn good so far. Pining for Game of Thrones? This is your new replacement.

 

Currently Gaming:

The Legend of Zelda: Breath of the Wild (Wii U)

So much do. So little time.

Mass Effect: Andromeda (Xbox One)

My fiancée and I keep inching ahead of each other bit by bit.

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The Good Bits: March 2017

Big month for pretty much everything from film to video game to music.

Music:

Mastodon, Emperor of Sand (Reprise)

Emperor_of_sand_cover

At this time of writing, I have only listened to Mastodon’s newest LP one time through. I thought I would need multiple listens in order to really settle on an opinion before writing, as was the case with 2014’s Once More Round the Sun. But about four tracks in I was pretty much sold: Mastodon have done it yet again. It’s been fifteen years since the band’s first album, and with the addition of their seventh they’re still sporting one of the most solid discographies in the metal scene.

Originally, there were reports that Emperor of Sand might be similar to Crack the Skye, my favorite Mastodon album But as it turns out, it’s only like Crack the Skye in concept, regarding themes of death and loss. And that’s fine, because Emperor of Sand delivers on its own merits with a sound structurally similar to its predecessor and The Hunter. “Show Yourself” is probably the poppiest the band has ever sounded, but that’s not a bad thing. The band have a great penchant for catchy lyrics and vibrant guitar riffs that keep the album moving at a steady pace while still feeling very much like Mastodon. Other tracks like the opener “Sultan’s Curse” will sound familiar, but it’s the closer “Jaguar God” that really nails it in my opinion, seemingly drawing from all corners of Mastodon’s discography. Overall, the album feels fresh and welcoming to newcomers. For long time fans like myself, it fits like a glove.

 

Me and That Man, Songs of Love and Death (Cooking Vinyl)

Me and That Man

I can’t say that I’ve listened to all that much of Tom Waits, Leonard Cohen, or Johnny Cash. I’ve enjoyed their music before and I recognize their impact, but I haven’t really explored much of that side of music yet. That said, I am totally into Me And That Man, a new project from Behemoth frontman Adam “Nergal” Darski and John Porter steeped in country, folk, and blues comparative to the artists mentioned above. While sonically a far cry from the blackened death metal of Behemoth, the lyrical content on Songs of Love and Death still bears similarities to Nergal’s main band especially on tracks like the opener “My Church is Black”, so if you’re not normally a fan of this type of genre but you love Behemoth or similar bands, this will still feel familiar to you. If, on the other hand, you’re not a big metal fan but you do enjoy the likes of the aforementioned artists, Me and That Man may still find an audience with you as their songs are dark, troubled, but not necessarily hard on the ears.

 

Pillorian, Obsidian Arc (Eisenwald)

pillorian

2016 saw the end of one of my favorite bands: Agalloch. Their brand of atmospheric black/folk metal was unlike anything else I’d ever heard and despite my attempts to find similar bands, none of them sounded quite like these guys. So you can imagine how excited I was to hear that the ex-members would continue to make music in different projects. The first project to emerge from the ashes is Pillorian, formed by Agalloch’s former frontman John Haughm. While Obsidian Arc leans a bit more towards straightforward black metal, there are still folk elements weaved into the music that are reminiscent of Agalloch without sounding derivative. The album is kept to a tight seven tracks with all but one ranging five to nine minutes in length. The final track, “Dark is the River of Man”, is my favorite, a dark melancholic track running at nine and a half minutes that perfectly ties the whole album together. If you’re still pining for Agalloch, you best give this a listen.

 

Film:

Logan

Logan_2017_poster

Seventeen years. How privileged are we that the actor who brought one of the most iconic comic book characters to life has been able to inhabit the role for nearly two decades while similar franchises sifted through sequels and reboots (three different actors have played Spider-Man!). And now it would appear that an era has come to a close, and it has done so in spectacular fashion. Logan is my favorite film so far this year, presenting Jackman’s swansong as a brutal emotional western that transcends the genre in such a way comparable to The Dark Knight.

While Logan is the third Wolverine solo movie and the tenth X-Men film overall, you can jump into the film with minimal prior viewing. So long as you know a bit about Wolverine and Professor X and have basic understanding of mutants, the film won’t lose you with the exception of a few smaller references. While I do enjoy the MCU films, I applaud this move as it allows more people to experience the film without having to lean on five or six films worth of world-building. Also, we finally get the R-rated Wolverine film we deserve, with all the blood, gore, and f-bombs you could want this side of Deadpool. But this movie doesn’t rely on its bloody action alone; Logan goes much deeper to the point where we genuinely worry about our heroes during the action scenes rather than just absorbing the spectacle.

Going in, you already know that Hugh Jackman and Patrick Stewart are going to deliver great performances, so I won’t say much on that point other than Jackman’s performance moved me to tears. Boyd Holbrook has a charismatic turn as the main villain and I’m sure he’ll be snatching up even bigger roles soon. But the big scene-stealer is Dafne Keen as Laura/X-23, who doesn’t even really speak until more than two-thirds of the way into the film. A mostly silent role can be difficult for the most experienced actor, but Keen absolutely delivers on that front and every other. I sincerely hope we see more of her soon and far into the future.

If you’re reading this, I’m sure you’ve seen Logan by now, but if by chance you haven’t, get out and go while it’s still in theaters.

 

Kong: Skull Island 

kong

After a twelve year absence from the big screen, King Kong has returned, mixing the likes of Jurassic Park with Pacific Rim to make a borderline B-movie with a bumpy tone that will get slightly poignant right before something ridiculous happens. In other words, Kong: Skull Island is big dumb fun. It has all the makings of a summer blockbuster apart from the fact that it was released in March, probably to avoid releasing close to War for the Planet of the Apes. I’ve spoken to a few people who rolled their eyes at the idea of a new King Kong movie, claiming that it’s yet another example of Hollywood digging into the ol’ barrel rather than pursuing something new. While that’s a sentiment I sympathize with, Kong doesn’t feel like a careless rehash; it feels fun and delivers an action-adventure monster film with classic tropes.

Kong doesn’t just mark the return of the titular ape. It’s also the second entry in Legendary Picture’s MonsterVerse, which began with 2014’s Godzilla that I reviewed a few months back. This film differs from Godzilla in many ways from pacing to tone, but the most noted difference is how Kong seemingly addresses its predecessor’s two biggest critiques: 1) that the human characters were boring, and 2) that Godzilla has a pretty small amount of screen time in his own movie. Now, I was a fan of Godzilla, but Kong does get bigger ups in terms of its cast. There’s a lot of great people in here: John Goodman, who drags everyone to this expedition; Samuel L. Jackson, a general stung by the United States’ loss in the Vietnam war; Brie Larson, a Vietnam war photographer who spends most of the film running around with a camera and yet still comes across as a competent character. Leading man Tom Hiddleston, a tracker and former Captain, is dashing and likable, but feels a bit downplayed in this role, lacking in background and personality compared to the other characters. John C. Reilly, on the other hand, is probably the most enjoyable character in the film as a pilot who was stranded on Skull Island during World War II.

And then there’s the big guy himself. Kong spends most of his time beating the living shit out of other monsters (and sometimes humans), though he does get the requisite humanizing scenes with Brie Larson’s character. It’s not played up quite as much as we normally see in other iterations, which is actually refreshing. We know Kong has a weak spot for the ladies and we don’t need it beaten over our heads again. Instead, the film allows a moment or two for a knowing nod to the history of Kong’s character, then lets him get back to crushing things. It’s awesome. The film takes full advantage of the time period too, soaking it in the Vietnam aesthetic with great visuals and a soundtrack full of classic 60’s/early 70’s tunes.

So, no, this isn’t just another rehash and you certainly don’t need to see Godzilla or even care about the MonsterVerse in order to enjoy Kong: Skull Island.

 

John Wick 

john-wick-poster1

Here’s another for one the “movies-I-slept-on-that-are-great” list. I didn’t think much about John Wick when I first heard about it, but then, of course, everyone whirled around to tell me “WTF GO WATCH IT.” And, lo and behold, John Wick is a genuinely great action flick. Apart from the film’s impressive stunts, style, and direction, one of the best parts of the film for me personally was the implication of a larger underground world of assassin’s that Keanu Reeve’s titular character belongs to. It’s never really explained and by the end of the film there are more questions than answers, but it’s so fascinating that I’m actually glad there isn’t really any exposition. The workings of the world are merely implied by the character’s actions and left to open interpretation. I’m sure I’ll get more insight when I finally get to sit down and watch John Wick 2.

 

Books:

Dune Messiah by Frank Herbert

dune-messiah

Dune Messiah almost feels like DLC for its predecessor, Dune. It’s not even half the length of the first book and the plot, set twelve years later, is focused on wrapping up storylines for certain characters and addressing the galaxy changing jihad that were so often alluded to. Mind you, this doesn’t make the book bad assuming you were interested enough in the world of Dune that you wanted to continue reading about it, which I obviously did. It just feels kind of like an afterward for the events of the first book, a relatively straightforward plot that ties up a few loose ends and prepares for a new generation of protagonists. It’s a quick return to Frank Herbert’s fascinating world and I’m sure I’ll continue onto the next book in future.

 

Currently Reading:

Sabriel by Garth Nix

Sabriel_Book_Cover

I’ve made my fiancée read many of my favorite books, so now I’m reading a few of hears. Sabriel is the first book in Garth Nix’s The Old Kingdom series. It’s a fantasy obviously, and while the book isn’t what I initially expected, I find its world and magic mechanics engrossing. I’m about halfway through, but I still feel like I’ve only scratched the surface of Nix’s world. Good thing I have two more books.

 

Currently Gaming:

The Legend of Zelda: Breath of the Wild (Wii U)

It’s amazing, go play it.

Mass Effect: Andromeda (Xbox One)

If you loved the original games, go get this one.

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The Good Bits: February 2017

February was full of fun, but it’s only the tip of the iceberg. March is here now and has a lot to offer, mostly in terms of film, but also in terms of a certain type of media I haven’t mentioned on here yet: video games. I love gaming, but I’m not normally playing any games considered current. But, now that I’m newly equipped with an Xbox One, that’s beginning to change, so I’ll be adding a Currently Gaming category. On that note, if you ever have free time you want to kill, why not watch myself and my fiancée play Diablo III together? Head over to The Co-op Couple on Youtube and get watchin’!

Iron Reagan, Crossover Ministry (Relapse)

iron-reagan

I’m not sure why, but in the past I haven’t been as interested in albums with twenty plus songs ranging from thirty seconds to three minutes. This is the case on many thrash/hardcore/crossover thrash albums, and the only reason I can think for avoiding them is that I lean more towards progressive albums with nine or ten songs ranging anywhere from six to fourteen minutes. I also get more bored by thrash than I used to; there aren’t many newer bands in the subgenre to catch my attion. But I have enjoyed Municipal Waste in the past, and I’ve seen both them and their offshoot Iron Reagan live before and thought they put on a hell of a show. I can’t remember ever just sitting down with an Iron Reagan album before, but there hasn’t been much to catch my attention this month. And I mean really catch my attention. I threw Crossover Ministry on in my car just because it was new and two minutes later I was pumped. It’s a short album that can be finished under half and hour, but I had a lot of fun listening to it, so much so that I put it on again the next day.

 

Arrival

arrival

Arrival is a perfect example of a sci-fi film that doesn’t feel the need to resort to action in order to be great. Don’t get me wrong, I love my action sci-fi movies, but why do movies involving Earth and aliens always have to be a horror show or an explosive set piece? Why do we assume that the first thing aliens want to do is destroy Earth? Arrival bucks this trend with aliens showing up in multiple ships around the globe and then just kind of loitering. So it’s up to Amy Adams, a linguist professor, and Jeremy Renner, a theoretical physicist, to figure out who the aliens are and why they’re on Earth. What follows is a perfectly paced sci-fi drama that leads to much discussion and debate.

It’s hard to talk about this movie without getting into spoiler territory, and I really think this is the kind of film where you should go in blind to get the full impact of the story. Suffice it to say that the film manages to sidestep any M. Night Shyamalan nonsense when it comes to the central twist. It makes sense within the plot as well as thematically and there are hints dropped here and there that, if you’re really thinking and paying attention, you can figure it out just before the reveal. That, in my opinion, is the best kind of twist, one that leaves you actual breadcrumbs and ties into the whole rest of the story rather than being a simple pulling back of the curtain.

Director Denis Villeneuve’s next film is Blade Runner 2049 and he’s also slated to direct a new adaptation of Dune. If you are excited for either of those films, watching Arrival will give you hope as Villeneuve demonstrates his virtuosic ability. And if you don’t care about those movies, Arrival is still worth your time, so much so that I would go back to my top five of 2016 and put this in.

 

Get Out

get_out

I have been pitching this movie to the uninitiated as Rosemary’s Baby meets Guess Who’s Coming to Dinner. If that’s a combination that piques your interest, I assure you it’s worth your time. The movie is about a black man, Chris (Kaluuya), who goes to visit his white girlfriend’s family. They’re a little strange, but not as strange as the few other black people Chris meets. What follows is an expertly crafted comedy horror film that provides not only a subversive take on black protagonists, but highly relevant social commentary that we kind of need.

Don’t let the label of comedy horror fool you; this film is thick with tension and you never really feel at ease, which is my favorite kind of approach to horror. Sure, there’s one or two minor jump scares, but the atmosphere is the star of the show here. Every now and again the tension is broken to deliver much needed laughs, usually from Chris’ best friend played by Lil Rey Howery, whose character is meant to channel your typical horror audience (“I told you not to go in that door!”) to hilarious results. It’s a great dichotomy, and allows the tense atmosphere to stay potent without being overwhelming and the comedy never feels overdone.  I’d rather not spoil the film (surprise surprise) but suffice it to say that it’s a solid horror film in its own right and it’s relevancy when it comes to race issues both in Hollywood and the world as a whole make it a horror film you can actually learn something from.

 

Books:

Do Androids Dream of Electric Sheep? by Philip K. Dick

do-androids-dream-of-electric-sheep

I’m going to flat out say that Do Android Dream of Electric Sheep? may be one of my new favorite books, and not just in the sci-fi genre. I may be late to the party, but I just can’t get over how a book that’s nearly fifty years old can be so refreshing to read. I read it before watching Blade Runner, the cult classic film that I had so long neglected. Now, both are different mediums and both excel in different areas, but if we’re going by overall level of enjoyment, I’d have to give the nod to Dick’s original vision. The writing is snappy and well-paced, never getting boring or diving into too much backstory. If you’re a fan of Blade Runner, I’d highly recommend picking this up to see where it all started. Meanwhile, I’m going to give the film another run sometime before Blade Runner 2049 comes out this fall.

 

Currently Reading

Dune Messiah by Frank Herbert

dune-messiah

Dune was yet another 60’s sci-fi classic I’d yet to read until last year, and I loved it. So I picked up the next book right away, but I’ve sat on it for a while because of my extensive reading list. Now I’m about halfway through, and so far it’s a welcome return to Arrakis.

 

Currently Gaming:

Diablo III: Reaper of Souls (Xbox 360)

As I said above, Lizzy and I have been playing co-op in D3 for a while now and we’ve been recording our progress. We only just started posting the videos, but in real life we’re at Act V!

Middle-Earth: Shadow of Mordor (Xbox One)

Dishonored 2 (Xbox One)

 

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The Good Bits: January 2017

Music:

TWRP, Ladyworld (Self-Released)

twrp

My favorite album of January is a departure from what you might normally see in my music listings. Tupper Ware Remix Party (or TWRP) was brought to my attention last year when Ninja Sex Party released their covers album. TWRP was the backing band for most of the album, expertly recreating some of the most well known songs of the 80’s. With the release of their new album Ladyworld, I took it upon myself to finally check out the band’s own work and was met with a catchy delight full of positive vibes. TWRP is firmly grounded in the 80’s aesthetic, touching on elements of rock, synthwave, and funk, while focusing on a message we can all get behind: loving your lady. This is most apparent on tracks such as “R.E.S.P.E.C.T. Her” and, my personal favorite, “Body Image”, featuring a chorus both catchy and inspiring in its message. The album also features Arin Hanson (Game Grumps, Starbomb) and Ninja Sex Party, returning the guest appearance favor for TWRP on the final track “Built 4 Love.” The album is on the short side, clocking in at under thirty minutes, but I think that feels just right for a band like TWRP; it’s an upbeat listen to punch-up your day, giving you that little feel good boost we all so often need.

 

Galactic Empire, Galactic Empire (Rise)

galactic-empire

You know me, I love my Star Wars, my metal, and metal versions of non-metal songs. So having a whole album comprised of the most iconic pieces of John Williams’ legendary score turned to metal is nothing but good news. The group has put out a few videos that have made the rounds on social media and now they’ve put out a full LP. It’s a pretty straightforward album; we go from “Main Theme” to the expected “Imperial March”, then touch on a few pieces from the prequels such as “Duel of the Fates” (which uses actual vocals) and “Across The Stars” before capping it off with “Throne Room/End Title.” All of the arrangements are impeccable with excellent guitar tone and feature close attention to all the little nuances from Williams’ score. Any Star Wars fan, metalhead or no, will enjoy this tribute to one of the greatest film soundtracks ever.

 

Film:

Prometheus, (Noomi Rapace, Michael Fassbender)
Director: Ridley Scott
Released: June 8th 2012

prometheus2

I didn’t really see any new movies released this month, but I did watch Prometheus in preparation for May’s Alien: Covenant. The Alien series is one I’m catching up on, having neglected it for a number of years. Now I’ve finally watched the prequel to the series that I’ve heard much about, opinions always mixed. My personal experience with the film turned out to be very enjoyable one, exceeding my expectations thanks to its spectacular visuals, atmosphere, and theme.

My view of the movie was prefaced with the general opinion that the film, while gorgeous, has a “meh” plot, and I can see where that opinion comes from. There’s some horror movie cliches you can pick out early on, especially if you’re familiar with the other films, and the movie raises more questions than it actually answers. But I forgive the film’s plot because it caters more to theme than revelation. The parallels between the Greek myth of Prometheus and the Prometheus crew are woven into the narrative and share the same message: if you try to get on the same level as Gods, you’re going to be in for a hurtin’. Sure, we all came here for the Xenomorph, but I appreciate where Prometheus stands as far as its own story and theme.

 

Godzilla (Aaron Taylor-Johnson, Ken Watanabe, Bryan Cranston)
Director: Gareth Edwards
Released: May 16th, 2014

godzilla_2014_poster

Here’s one that’s been on my list since the first trailer but that got away from me. I finally got to watch Godzilla in anticipation of this year’s Kong: Skull Island, which is set in a shared universe with the former film. I’m not necessarily a long time Godzilla fan, meaning I’ve only seen one or two of the classic films and not much else. But that doesn’t mean I don’t understand how awesome Godzilla is, or at least can be in the right hands. Like Prometheus, I heard a lot of mixed reception about this film, usually amounting to, “The thirty minutes of Godzilla are great but the rest is boring.” Upon viewing, I do agree that the comparatively small amount of time spent with Godzilla is FUCKING AWESOME, but I would argue that it’s only so awesome because of all the time that isn’t spent on him.

Now, I understand why the majority of the plot spent with Aaron Taylor-Johnson, a Lieutenant in the US Navy, and Ken Watanabe, basically a kaiju expert, might be considered boring, the main reason being that neither of them are an enormous destructive monster. But I would argue that spending time with the characters is what helps create the overwhelming sense of awe that is meant to surround Godzilla. Sure, we could have had a film that was ninety percent Godzilla smashing things, but there’s always been more to Godzilla than that. The original movie essentially portrayed Godzilla like an atom bomb, an unstoppable, destructive force all the more powerful because of that sense of shock and awe. Now think about how many explosions and city destroying monster movies we’ve gotten in recent years that are soulless, mindless action (Pacific Rim being a notable except because that movie rules). The decision to focus more on the human characters and their perceptive builds anticipation to a boiling point, and when we finally see Godzilla in all his glory and hear his roar, you get serious chills. Because Godzilla isn’t here to entertain you; you’re here to witness him.

 

Books:

Talion: Revenant by Michael A. Stackpole

talion-revenant

Standalone fantasy novels are a rare breed not because there aren’t many of them but because they don’t seem to get as much attention. It’s understandable as the landmark fantasy novels are typically epic in scale and scope, spanning across anywhere from three to five to eight books. But there’s a lot to love from single entries, the most notable being that you don’t have to prepare yourself for the plunge into multiple books and you get a complete story arc all in one go. So I went looking for one, preferably something I’d never heard of before, and came up with Talion: Revenant by Michael A. Stackpole, best known for penning several Star Wars books from the old Expanded Universe. The result is an enjoyable fantasy novel that, for the modern reader, doesn’t turn genre conventions on its head, but does tell a satisfying tale of heroic fantasy.

The story tells of a man named Nolan, a Talion Justice, a highly skilled and feared warrior who, as his title implies, travels about the Shattered Empire righting wrongs and delivering retribution. They are known for their ability to suck out the souls of wrongdoers as a method of execution, which is why they are so feared. The chapters alternate between Nolan in the present, fully grown and trained, and Nolan as a boy, fleeing from his country after his family was slaughtered by a neighboring country. I wasn’t sure how I felt about this style of storytelling at first; being constantly pulled back and forth through past and present can make it hard to maintain momentum in the story, but it eventually won me over as the chapters usually parallel each others subject matter. It’s also told in a first person perspective, which I also questioned at first, but I understood it was more fitting for the story.

The big hook of the story, displayed right on the front and back cover, is that Nolan is assigned a mission where he must pose as a noble in order to protect a king from a seemingly unkillable creature. The catch? This is the very same king of the country that killed Nolan’s family. It sets the story up for a tense duty vs. vengeance dilemma, but, slight spoiler alert, that doesn’t end up being the focal point. It certainly motivates Nolan and helps define his sense of justice, but the issue itself is kind of resolved in a few paragraphs. I can see what the intent was here i.e. spend your whole life plotting revenge then questioning yourself, but I did feel slightly mislead.

The good news? The overall plot of the book is still enjoyable. Young Nolan’s training to become a Justice makes for some interesting world building and character background that contrasts well with adult Nolan’s more action oriented scenes. There’s one or two twists as well that help to elevate the exciting finale which, despite this being a standalone book, leaves some room for a sequel. If you’re one for more traditional fantasy and/or don’t particularly feel like committing to a longer series, Talion: Revenant will deliver a well executed story with plenty of action and adventure to keep you invested.

 

Currently Reading:

Do Androids Dream of Electric Sheep? by Philip K. Dick

do-androids-dream-of-electric-sheep

Confession: I have never seen Blade Runner. I’ve meant to for a long time, and with the sequel coming this year I’ve all the more reason to finally watch it. But I figured, while I have the time, I should read the book that the film is loosely based on. I’ve also never read Philip K. Dick before. It’s a short book and I’m nearly done, so expect a full review next month.

 

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The Best Bits: 2016

The year 2016 has been strung up as a punching bag for a while now, and though it’s an understandable sentiment given the multitude of celebrity deaths and the election cycle from hell, I can’t say it was all bad for me. I’ve made fantastic progress on my book, kept this blog going the whole year, and, most importantly, I got engaged. It doesn’t hurt the year was filled with spectacular media, from albums that I played two or three times a day to movies that had me geeking with joy. If you’ve been reading my blog all year, if you checked on it only once or twice, or if you simply liked it on Facebook, I thank you for taking the time to stop by. Without further ado, here are the Best Bits of 2016.

Top 10 Albums of 2016:

1. Dream Theater, The Astonishing (Roadrunner)

the astonishing

A little bit of fantasy/sci-fi, a dash of Rush’s 2112, and the virtuosic pedigree of Dream Theater brings this rock opera to life. Never before has a concept album gotten me so caught up in its story.
2. Bon Iver, 22, A Million (Jagjaguwar)

bon-iver

The jump from “dude with an acoustic guitar in a cabin in the woods” to folktronica glitch pop could have gone poorly, but the new album from Justin Vernon and company is probably their best yet.
3. Zeal and Ardor, Devil Is Fine (Self-Released)

zeal and ardor

Blues, black metal, with a dash of trip hop. Manuel Gagneux’s one man project is bold, unrefined, and one of the most memorable albums of the year.
4. Alcest, Kodama (Prophecy)

alcestkodama

Alcest returns with their winning combination of shoegaze and black metal, creating an atmosphere that is both beautiful and chilling.
5. Haken, Affinity (InsideOut)

haken

One of the best prog releases this year, hands down.
6. Neurosis, Fires Within Fires (Neurot)

neurosis

One of the band’s shorter albums, Neurosis’ latest is not short on quality and is as dark and introspective as ever.
7. Opeth, Sorceress (Nuclear Blast)

opethsorceressfinalcd

For a while, I wasn’t sure if Opeth’s latest would win me over. But, after I found myself humming “The Wilde Flowers” to myself, I knew I had to listen to it again and again.
8. Anthrax, For All Kings (Megaforce)

anthrax-for-all-kings-album-new

We were lucky to get albums from three-fourths of the Big Four this year, but Anthrax’s followup to Worship Music was the one that stuck with me.

9. Cult of Luna (with Julie Christmas), Mariner (Indie)

Cult-Of-Luna-Mariner-47682-2_1

I am kicking myself for forgetting about this when I was putting together my list of Metal Insider. This is another fine LP in Cult of Luna’s already excellent discography.
10. Sam Beam & Jesca Hoop, Love Letter For Fire (Sub Pop)

love letter for fire

Of course any fan of Iron & Wine will like this album, but I love it more because of a certain special person who listened to it with me.

Honorable Mentions:

Hyperion, Seraphical Euphony (Blacklion)
Black Crown Initiate, Selves We Cannot Forgive (eOne)
ONI, Ironshore (Metal Blade)

 

Top 5 Films of 2016:

1. Batman v Superman: Dawn of Justice

batmanvsuperman

Call me contrarian. Call me delusional. Tell me that the DCEU is dead in the water. I don’t care. I’ve enjoyed this movie more with each and every viewing, especially after the Ultimate Cut fleshed things out. It’s not a perfect film and I’ll be the first to admit it, but I’ve pondered over it more than any other film this year. And that Batfleck warehouse scene is just fucking brilliant.

 

2. Rogue One: A Star Wars Story

rogue_one_a_star_wars_story_poster

If being blinded by nostalgia is wrong, then I couldn’t give a shit less about being right. The film was a great first outing for the standalone Star Wars anthology that is both strong in its own right pays meaningful tribute to the saga’s 1970’s origins.

 

3. Captain America: Civil War

civil war

The film that proved you can fit twelve superheroes into one movie without it being a disaster. Phase Three of the MUC looks as promising as ever as we begin to explore heroes new and familiar.

 

4. Deadpool

deadpool_ver9

While the film itself is a hilarious raunchy romp, the biggest achievement of Deadpool is that 1) it actually happened, and 2) it has opened the way for R-rated superhero films, hence there reason this year’s Logan will be rated R.

 

5. Finding Dory

FINDING_DORY_-_Key_Art

This is the odd one out on the list, but given the pure joy I experienced watching Finding Dory I believe it deserve a spot amongst the superheroes and space operas. Beautiful animation and touching themes on those differently abled make this another gold star for Pixar.

 

Honorable Mention:

The Little Prince

This technically is from 2015 and I neglected to review it on my blog, but this joyful adaptation of the beloved novella has been updated to break down what we expect of children in today’s world where cold, dead career’s take precedent over dreams.

 

Favorite TV Show:

Westworld

westworld

There aren’t too many shows with previews that make me go from zero to “I gotta watch that”, but Westworld‘s premise and stellar cast was enough to make me sit down with the original 1973 Michael Crichton film before diving into HBO’s latest hit. I’m not a binge watching kind of guy, but I was always ready to devour one episode after the next with this show. It’s one of the best shows on TV right now and I’ll be anxious to see if they can top it.

 

Favorite Book:

Words of Radiance by Brandon Sanderson

words of radiance

If you’re been follow my blog, this shouldn’t be a surprise. I put a lot of time into reading this book, and it was all worth it. Promises were fulfilled, paths were crossed, and the game has changed. It’s everything a sequel should be and is a confirmation that Sanderson is going to make reading these tomes worthwhile for any fantasy fan. I can’t wait for the next one to come out this year (hopefully).

 

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The Good Bits: December 2016

As I write this, I am also coming up with a post for the Best Bits of 2016, which, admittedly, is going to overshadow this one a bit. Still, I can’t leave December out of the mix, especially since the most hyped-up movie of the year came out (and I’m not talking about Sing, though it was a fun movie).

Music:

Hyperion, Seraphical Euphony (Black Lion)
Released: February 6th 2016

hyperion

Every year, before I put together a list of my favorite albums, I embark on a search for any albums that I missed during the year in an effort to weed out any hidden gems. There’s always at least one every year, and this year it came in the form of the debut album from Swedish blackened death metal band Hyperion. Nowadays, I tend to lean toward slow, progressive kind of bands and it takes a really kickass album to hook me back into something fast, shreddy, and deadly. Hyperion does just that with incredibly fast riffs and raspy vocals, but they aren’t afraid to get melodic, something I always appreciate. It’s not only one of the best debut albums of the year, but one of my favorites overall. I haven’t spent as much time with it as other albums from this past year, but I spent enough time to know Hyperion are worth keeping on the radar.

 

 

Film:

Rogue One: A Star Wars Story (Felicity Jones, Diego Luna, Ben Mendelsohn)
Director: Gareth Edwards
Released: December 16th 2016

rogue_one_a_star_wars_story_poster

I honestly wasn’t sure if I was ready for a new Star Wars film. Don’t get me wrong, I love Star Wars and was certainly excited for Rogue One, but knowing this was officially the start of a new movie every year made me wonder if it was going to be too much too soon. Having two or three Marvel movies out is one thing because they usually span different types of genres depending on which hero is up front. But a new entry for the biggest blockbuster franchise every year? Sounds too good to be true. And while there may come a day when a new Star Wars film comes out and ends up being a dud or people begin to feel fatigued by having a new one every year, it is not this day. Rogue One is a wonderful first entry in the Star Wars anthology series, hauling in just enough satisfying fan service without leaning on it while remaining a strong film in its own right.

FYI: I’m going to do my best to keep this spoiler free even though most of you have seen it at this point

For some people, Rogue One is a confusing follow-up to The Force Awakens in that it features none of those characters and is in fact set just before A New Hope, telling the story of how the Rebellion stole the plans to the Death Star. Here’s one thing to keep in mind about Rogue One: this is not your typical Star Wars movie. It’s not even like The Force Awakens. This is, in essence, a war movie with a dash of a heist plot telling the story of how the Rebel Alliance stole the plans to the Death Star. Jyn Erso (Jones) leads a ragtag group in search of her father, Galen, a scientist and key player in building the superweapon. The titular Rogue One is composed of a few archetypes such as a snarky droid, hotshot Captain, and a deadly spiritual fighter to name a few. They may sound one note, but they’re certainly fun to be around. Once again, this isn’t a hero’s journey where we see several characters growing and changing. These are the small timers, the moving gears of war that make the big moments for bigger characters possible.

On the other side of the table is Director Orson Krennic (Mendelsohn), Grand Moff Tarkin (featuring a digitally resurrected Peter Cushing) and, the one and only, Darth Vader. While Krennic is interesting to watch, he does get a bit overshadowed by his peers. Seeing Peter Cushing onscreen again is going to be hit or miss depending on how creepy you think the CGI is. Personally, I enjoyed it and think it contributes to the film’s authenticity, though I wouldn’t want to see a whole movie led by something like that. Vader, of course, is awesome even with his expectedly small onscreen time, and is a big contributor to making the last ten minutes some of the best in Star Wars history.

I’m beginning to realize there’s way too much to cover to cover for this movie, and I like to keep things brief, so I’ll try to narrow it down: Rogue One is excellently crafted to fit the aesthetic of A New Hope and will certainly tick all the nostalgic boxes. That said, Gareth Edwards’ direction makes the film feel different from other films, rather than trying to stick to the template as The Force Awakens did. It’s fresh and familiar, and while some fans might not like the dark tones and deviations, I think there’s plenty of Star Wars magic in this film, proving that we can have more films that don’t rely on the Skywalker’s or Jedi. It’s a worth addition to the saga and I can’t wait to see it again.

 

 

Fantastic Beasts and Where to Find Them (Eddie Redmayne, Katherine Waterson, Dan Fogler, Colin Farrell)
Director: David Yates
Released: November 18, 2016

fantastic_beasts_and_where_to_find_them_poster

I’m a little late with this one since it came out in November, but better late than never. Here we have yet another prequel set in the universe of one of the biggest Hollywood franchises, the difference being that Fantastic Beasts is set to kick off a series of five films. Now, I consider myself a relatively big Harry Potter fan; not quite a fanatic like I am with Star Wars or The Lord of the Rings, but I grew up reading HP and they had a pretty big impact on my reading tastes as well as my writing. That being said, the idea that we’re getting four more of these movies feels like…a lot? Not that I’m judging the film on its future plans, but I’m skeptical of the series’ longevity especially where there are several other Potterverse stories that can be told (feel-good Quidditch movie anyone?). Regardless, Fantastic Beasts is a dazzling, surprisingly dark, stuffed first entry to the proposed series.

I have to give big ups to the film for being a well done prequel. Sure, you get some name drops like Dumbledore or Hogwarts, but it manages to stand on its own merits without heavy reliance on what fans already know. The cast is entertaining; Eddie Redmayne was born to play a wizard and Dan Fogler stands out as a surprisingly entertaining muggle who gets dragged into the whole mess. Ezra Miller’s turn as a deeply disturbed teenage boy is some of the best acting in the film and is the centerpiece of the film’s aforementioned dark tone. I know I keep saying “dark” as if the original Potter films were all sunshine and farts, but there are themes and depictions in Fantastic Beasts that I wasn’t expecting, from child abuse (and I mean more so than living in a cupboard under the stairs) to capital punishment.

Visually, the movie is like someone took a dab of Tim Burton to the Wizarding World, which is neat and makes the titular beasts great fun to watch and marvel at. The 1920’s New York City setting mixes in a prohibition aesthetic with the Wizarding World to great effect, staying familiar enough to keep us grounded but giving the world a new flavor. The big sticking point for the film is plot, however, which isn’t necessarily amazing or terrible, but it’s just…a lot. A lot of characters and stories are introduced to you very quickly and certain plotlines overshadow the others whenever they mingle. I would have been perfectly fine watching Newt Scamander running around NYC recollecting his creatures, but there’s also talks of the stability between wizard and muggle relations in the US, whispers of the deeds of dark wizard Grindelwald, and numerous backstories for certain characters that are hinted at then left for another film. Now, I don’t necessarily have a hard time keeping track of multiple story arcs (I watch Game of Thrones after all), but so much is happening at the same time in this film, like a child just bursting to tell about its day and moving from one big event to the next without a breath in between. It doesn’t kill the film, but it does make me wonder if I want four more of these. Is this how other people felt while I sang the praises of the The Hobbit films ?

Potter fans will (or already do) love it. If you only saw the films and likely them, you’ll like this. Even if you’ve never delved into Harry Potter before, you may like it since it’s so far removed from the original films that you don’t require much prior knowledge. I’m questionable as to the quality of future films, but for now it’s an entertaining romp and a fun return to the world of J.K. Rowling.

 

 

Currently Reading:

Talion: Revenant by Michael A. Stackpole

talion-revenant

I’m more than halfway through the book and it’s still good so far, though here and there I find things that aren’t quite to my taste. That said, the book is told from a first person perspective, something not often done in fantasy, and I’m enjoying the change. I’ll be done with this one by the next Good Bits.

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