Farewell, summer. You had some neat offerings to cap off your final month.
Steven Wilson, To The Bone (Caroline)
If you know me, you know I’m a fanboy for Steven Wilson. Ever since I picked up Porcupine Tree’s Fear of a Blank Planet ten some odd years ago, I’ve spend a lot of time delving into Wilson’s vast discography that spa s many groups and genres. In recent years, Wilson has been focused on his solo work, and as a result has delivered some of my very favorite albums, including 2015’s Hand. Cannot. Erase. This time around on To The Bone, the approach is more on the poppy side, inspired by the likes of 80’s artists such as Tears for Fears and Peter Gabriel. It’s a much more electronically driven album that adds a different flavor to Wilson’s unique style and, as a result, is one of my favorite albums so far this year.
Shocking, I know.
Some songs like “The Same Asylum as Before” are classic Steven Wilson fare while others like “Permanating” tread new territory. The latter song is very piano driven, and not in the slow melancholic way like you might expect but rather with backing electronic drums and bright melodies that almost made me think more of a McCartney Beatles song. There are a few duets on the album including the standout “Pariah”, which again features the fantastic Ninet Tayeb from Wilson’s previous album. Of course, it wouldn’t be Steven Wilson without at least one incredibly depressing track, and in this case that honor could go to either “Refuge” or “Detonation”. Figures that those are the top two longest tracks on the album, eh?
Time will be the true test for this album and how it stacks up to the rest of Wilson’s masterpieces, but for right now To The Bone is another surefire winner that will please long-time fans and rake in new ones.
Iron & Wine, Beast Epic (Sub Pop)
When I started really getting into Iron & Wine about two years ago, it was interesting listening to Sam Beam’s discography back-to-back and hearing his evolution from lo-fi bearded guy with a guitar on The Creek Drank the Cradle to the jazzier upbeat material on Ghost on Ghost. While some may claim Beast Epic is a return to the quiet understated nature of Beam’s earlier material, I’d only half agree; it’s certainly not as poppy as Ghost on Ghost and has a stronger acoustic focus, but I think Beast Epic is less of a return and more of a cumulation of the different sounds Beam has picked up on in his 15 year career.
Beam’s soft but soulful singing has always been one of the leading appeals of his music, but on Beast Epic it stands out even more somehow. It is both bright and hopeful on tracks like “Call It Dreaming” and quiet and soft on tracks like “Summer Clouds.” It’s like a warm blanket that wraps around you as you listen. It doesn’t hurt that some songs like the aforementioned “Call It Dreaming” and “Thomas County Law” feature catchy verses that linger in your head long after listening. Though you may return to the album to hear one or both of those songs, you’ll find yourself cycling through the whole album again, basking in the comfort that only a musician like Sam Beam can bring to the table.
Leprous, Malina (Inside Out)
Leprous’ fourth album The Congregation fell into my path and was one of my dark horse hits for 2015. These guys have some serious skill with clean, impeccable musicianship and songs that are simultaneously complex yet catchy and compelling. On their fifth album Malina, that same musicianship and songwriting is back in full force. Lead vocalist/keyboardist Einar Solberg is still the band’s cornerstone as the album includes some of his best vocal performances yet, especially on the last track “The Last Milestone”, which mainly consists of his singing and strings performed by Raphael Weinroth-Browne. For me, real strings are always welcome on metal records, though they aren’t always utilized to their full potential. Thankfully they’re featured just the right amount on Malina, adding a grandiose layer in the latter half of “Stuck” and taking center stage in the aforementioned “The Last Milestone.” There are of course some tracks that are straight-up Leprous goodness such as the lead single “From The Flame” which serves as a slightly better hook for the album than opener “Bonneville.” That’s not to say that “Bonneville” is bad, only that it’s more mellow than fans and newcomers might expect. If you’re looking for a tight but accessible prog album, Malina is my pick.
If I told you that the director or the Ocean’s trilogy made a heist comedy film set in south about blue collar workers robbing a huge NASCAR event at Charlotte Motor Speedway, you’d probably think I’m getting you set up for some ridiculous Talladega Nights-esqe film. But that’s not what Logan Lucky is at all. Sure, it’s kind of funny to hear Channing Tatum, Adam Drive, and Daniel Craig nail the southern drawl, but the film isn’t actually all that jokey when it comes to its setting. Moreover, the film’s central heist plays out in a fairly straightforward manner: things go well, shit happens, things get betters, shit happens, etc. It’s actually a very sincere film that isn’t content to lean on the “big dumb rednecks” trope, and that’s what keeps it from becoming some run of the mill comedy. It’s written smart and it’s delivered smart with no small thanks to the cast’s ability to depict very human characters without any highly exaggerated eccentricities. Even Craig’s Joe Bang isn’t as super over the top as you’d expect him to be. Sure, he’s quirky, but contrary to promotion the film doesn’t rely solely on him to drive the film. Actually, Tatum’s performance is really the one that stands out for me as a divorced father recently let go from his construction job. It’s a rather understated performance where a lot goes without saying and you pick up on the story cues without the need of shoddy character exposition. It might not stand out much amongst the action and superhero movies of the summer, but it’s certainly a gem.
It by Stephen King
Well, I didn’t achieve my lofty goal of finishing this before the movie came out; I’m barely at 400 pages out of like 1100. But I’m certainly having a great time reading it.