TWRP, Ladyworld (Self-Released)
My favorite album of January is a departure from what you might normally see in my music listings. Tupper Ware Remix Party (or TWRP) was brought to my attention last year when Ninja Sex Party released their covers album. TWRP was the backing band for most of the album, expertly recreating some of the most well known songs of the 80’s. With the release of their new album Ladyworld, I took it upon myself to finally check out the band’s own work and was met with a catchy delight full of positive vibes. TWRP is firmly grounded in the 80’s aesthetic, touching on elements of rock, synthwave, and funk, while focusing on a message we can all get behind: loving your lady. This is most apparent on tracks such as “R.E.S.P.E.C.T. Her” and, my personal favorite, “Body Image”, featuring a chorus both catchy and inspiring in its message. The album also features Arin Hanson (Game Grumps, Starbomb) and Ninja Sex Party, returning the guest appearance favor for TWRP on the final track “Built 4 Love.” The album is on the short side, clocking in at under thirty minutes, but I think that feels just right for a band like TWRP; it’s an upbeat listen to punch-up your day, giving you that little feel good boost we all so often need.
Galactic Empire, Galactic Empire (Rise)
You know me, I love my Star Wars, my metal, and metal versions of non-metal songs. So having a whole album comprised of the most iconic pieces of John Williams’ legendary score turned to metal is nothing but good news. The group has put out a few videos that have made the rounds on social media and now they’ve put out a full LP. It’s a pretty straightforward album; we go from “Main Theme” to the expected “Imperial March”, then touch on a few pieces from the prequels such as “Duel of the Fates” (which uses actual vocals) and “Across The Stars” before capping it off with “Throne Room/End Title.” All of the arrangements are impeccable with excellent guitar tone and feature close attention to all the little nuances from Williams’ score. Any Star Wars fan, metalhead or no, will enjoy this tribute to one of the greatest film soundtracks ever.
Prometheus, (Noomi Rapace, Michael Fassbender)
Director: Ridley Scott
Released: June 8th 2012
I didn’t really see any new movies released this month, but I did watch Prometheus in preparation for May’s Alien: Covenant. The Alien series is one I’m catching up on, having neglected it for a number of years. Now I’ve finally watched the prequel to the series that I’ve heard much about, opinions always mixed. My personal experience with the film turned out to be very enjoyable one, exceeding my expectations thanks to its spectacular visuals, atmosphere, and theme.
My view of the movie was prefaced with the general opinion that the film, while gorgeous, has a “meh” plot, and I can see where that opinion comes from. There’s some horror movie cliches you can pick out early on, especially if you’re familiar with the other films, and the movie raises more questions than it actually answers. But I forgive the film’s plot because it caters more to theme than revelation. The parallels between the Greek myth of Prometheus and the Prometheus crew are woven into the narrative and share the same message: if you try to get on the same level as Gods, you’re going to be in for a hurtin’. Sure, we all came here for the Xenomorph, but I appreciate where Prometheus stands as far as its own story and theme.
Godzilla (Aaron Taylor-Johnson, Ken Watanabe, Bryan Cranston)
Director: Gareth Edwards
Released: May 16th, 2014
Here’s one that’s been on my list since the first trailer but that got away from me. I finally got to watch Godzilla in anticipation of this year’s Kong: Skull Island, which is set in a shared universe with the former film. I’m not necessarily a long time Godzilla fan, meaning I’ve only seen one or two of the classic films and not much else. But that doesn’t mean I don’t understand how awesome Godzilla is, or at least can be in the right hands. Like Prometheus, I heard a lot of mixed reception about this film, usually amounting to, “The thirty minutes of Godzilla are great but the rest is boring.” Upon viewing, I do agree that the comparatively small amount of time spent with Godzilla is FUCKING AWESOME, but I would argue that it’s only so awesome because of all the time that isn’t spent on him.
Now, I understand why the majority of the plot spent with Aaron Taylor-Johnson, a Lieutenant in the US Navy, and Ken Watanabe, basically a kaiju expert, might be considered boring, the main reason being that neither of them are an enormous destructive monster. But I would argue that spending time with the characters is what helps create the overwhelming sense of awe that is meant to surround Godzilla. Sure, we could have had a film that was ninety percent Godzilla smashing things, but there’s always been more to Godzilla than that. The original movie essentially portrayed Godzilla like an atom bomb, an unstoppable, destructive force all the more powerful because of that sense of shock and awe. Now think about how many explosions and city destroying monster movies we’ve gotten in recent years that are soulless, mindless action (Pacific Rim being a notable except because that movie rules). The decision to focus more on the human characters and their perceptive builds anticipation to a boiling point, and when we finally see Godzilla in all his glory and hear his roar, you get serious chills. Because Godzilla isn’t here to entertain you; you’re here to witness him.
Talion: Revenant by Michael A. Stackpole
Standalone fantasy novels are a rare breed not because there aren’t many of them but because they don’t seem to get as much attention. It’s understandable as the landmark fantasy novels are typically epic in scale and scope, spanning across anywhere from three to five to eight books. But there’s a lot to love from single entries, the most notable being that you don’t have to prepare yourself for the plunge into multiple books and you get a complete story arc all in one go. So I went looking for one, preferably something I’d never heard of before, and came up with Talion: Revenant by Michael A. Stackpole, best known for penning several Star Wars books from the old Expanded Universe. The result is an enjoyable fantasy novel that, for the modern reader, doesn’t turn genre conventions on its head, but does tell a satisfying tale of heroic fantasy.
The story tells of a man named Nolan, a Talion Justice, a highly skilled and feared warrior who, as his title implies, travels about the Shattered Empire righting wrongs and delivering retribution. They are known for their ability to suck out the souls of wrongdoers as a method of execution, which is why they are so feared. The chapters alternate between Nolan in the present, fully grown and trained, and Nolan as a boy, fleeing from his country after his family was slaughtered by a neighboring country. I wasn’t sure how I felt about this style of storytelling at first; being constantly pulled back and forth through past and present can make it hard to maintain momentum in the story, but it eventually won me over as the chapters usually parallel each others subject matter. It’s also told in a first person perspective, which I also questioned at first, but I understood it was more fitting for the story.
The big hook of the story, displayed right on the front and back cover, is that Nolan is assigned a mission where he must pose as a noble in order to protect a king from a seemingly unkillable creature. The catch? This is the very same king of the country that killed Nolan’s family. It sets the story up for a tense duty vs. vengeance dilemma, but, slight spoiler alert, that doesn’t end up being the focal point. It certainly motivates Nolan and helps define his sense of justice, but the issue itself is kind of resolved in a few paragraphs. I can see what the intent was here i.e. spend your whole life plotting revenge then questioning yourself, but I did feel slightly mislead.
The good news? The overall plot of the book is still enjoyable. Young Nolan’s training to become a Justice makes for some interesting world building and character background that contrasts well with adult Nolan’s more action oriented scenes. There’s one or two twists as well that help to elevate the exciting finale which, despite this being a standalone book, leaves some room for a sequel. If you’re one for more traditional fantasy and/or don’t particularly feel like committing to a longer series, Talion: Revenant will deliver a well executed story with plenty of action and adventure to keep you invested.
Do Androids Dream of Electric Sheep? by Philip K. Dick
Confession: I have never seen Blade Runner. I’ve meant to for a long time, and with the sequel coming this year I’ve all the more reason to finally watch it. But I figured, while I have the time, I should read the book that the film is loosely based on. I’ve also never read Philip K. Dick before. It’s a short book and I’m nearly done, so expect a full review next month.